︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00190
Planting for a better future: Olivia Laing’s Garden Against Time
Tim Waterman
Benton End
,
Biodiversity
,
John Clare
,
Common land
,
Enclosure
,
Garden
,
Gardening
,
Fergus Garrett
,
Gay
,
Great Dixter
,
Homophobia
,
Derek Jarman
,
Labour
,
Olivia Laing
,
Landscape
,
LGBTQ
,
Claude Lorraine
,
John Milton
,
Cedric Morris
,
William Morris
,
Nature
,
Ian Patterson
,
Politics
,
Prospect Cottage
,
Queer
,
Rewilding
,
Mark Rumary
,
WG Sebald
,
Suffolk
,
Donald Trump
,
Utopia
,
Tim Waterman
,
Horace Walpole
00140
Jesse Darling at the Turner Prize: a civic waste land
Anthropomorphism
,
Barbed wire
,
Barrier
,
Body
,
Billboard
,
Bunting
,
Civic
,
Control
,
Jesse Darling
,
Enclosure
,
Infrastructure
,
Installation
,
Ladder
,
Maypole
,
Power
,
Ritual
,
Rollercoaster
,
Sculpture
,
Society
,
Surveillance
,
Tate
,
The Turner Prize
,
Threshold
,
Towner Eastbourne
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