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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00190
Planting for a better future: Olivia Laing’s Garden Against Time
Tim Waterman
Benton End
,
Biodiversity
,
John Clare
,
Common land
,
Enclosure
,
Garden
,
Gardening
,
Fergus Garrett
,
Gay
,
Great Dixter
,
Homophobia
,
Derek Jarman
,
Labour
,
Olivia Laing
,
Landscape
,
LGBTQ
,
Claude Lorraine
,
John Milton
,
Cedric Morris
,
William Morris
,
Nature
,
Ian Patterson
,
Politics
,
Prospect Cottage
,
Queer
,
Rewilding
,
Mark Rumary
,
WG Sebald
,
Suffolk
,
Donald Trump
,
Utopia
,
Tim Waterman
,
Horace Walpole
00099
Carey Young: making space
Will Jennings
Camera
,
Capitalism
,
Commons
,
Court
,
John Dee
,
Factory
,
Film
,
Gender
,
Judge
,
Invisible
,
Will Jennings
,
Law
,
Legal
,
Lens
,
Male gaze
,
Mirror
,
Modern Art Oxford
,
Palais de Justice
,
Photography
,
Joseph Poelaert
,
Politics
,
Power
,
Reflection
,
WG Sebald
,
Sigma
,
Edward Soja
,
Space
,
Spatial
,
Text
,
Andy Warhol
,
Women
,
Carey Young
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