︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00080
Ricardo Alcaide’s forecast: Overcast with spells of sunny modernism
Will Jennings
Ricardo Alcaide
,
Antwerp
,
Von Bartha
,
Lina Bo Bardi
,
Brasilia
,
Brazil
,
Diagonal
,
Geometry
,
Industrial
,
Will Jennings
,
MDF
,
Modernism
,
Oscar Niemeyer
,
Paint
,
Sao Paolo
,
Sun
,
Sunny spells
,
Venezuela
,
Carlos Raul Villanueva
,
Violence
00036
Sun & Sea: A beach holiday transformed as ecological opera
Albany Theatre
,
Rugilė Barzdžiukaitė
,
Beach
,
Climate
,
Deptford
,
Ecology
,
Vaiva Grainytė
,
Guggenheim Museum
,
David Grandorge
,
Howell Killick Partridge & Amis
.
Lina Lapelytė
,
Lithuania
,
Nature
,
Opera
,
John Partridge
,
Performance
,
Sea
,
Sun
,
Sun & Sea
,
Theatre
,
Travel
,
Venice Biennale
,
Witherford Watson Mann architects
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