recessed.space

Power & photography: picturing architecture in the 19th century

Julian Opie & a virtual extension of place

Entangled bodies in a queer black domestic: Jonathan Lyndon Chase

Teshome Douglas-Campbell
Nyima Murry

Radical salvage: Mike Nelson at the Hayward Gallery

Paul Dobraszczyk

Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre

Geometry in place: Sam Jacobs & Wassef Boutros-Ghali

Radical salvage: Mike Nelson at the Hayward Gallery

Paul Dobraszczyk

Asset strippers, JG Ballard, Hakim Bey, Capitalism, Decay, Paul Dobraszczyk, Extinction, Extinction Beckons, Hayward Gallery, Industrial,Industry, Installation, Stanisław Lem, Machinery, Marxism, China Miéville, Mike Nelson, Pirates, Politics, Post-apocalyptic, Marcus Rediker, Ruin, Salvage, Sculpture,Robert Smithson, Arkady and Boris Strugatsky, Temporary Autonomous Zones, John Turner, Evan Calder Williams, Peter Lamborn Wilson

Ricardo Alcaide’s forecast: Overcast with spells of sunny modernism

Will Jennings

Ricardo Alcaide, Antwerp, Von Bartha, Lina Bo Bardi, Brasilia, Brazil, Diagonal, Geometry, Industrial, Will Jennings, MDF, Modernism, Oscar Niemeyer, Paint, Sao Paolo, Sun, Sunny spells, Venezuela, Carlos Raul Villanueva, Violence

Goldsmiths degree show: the highlights

Will Alsop, Anthropocene, Archaeology, Baking, Tom Bull, Bones, Ceramics, Concrete, Degree show, Pascal Marcel Dreier, Ecology, Far right, Film, Flour, Foreshore, Ali Glover, Goldsmiths College, Grain, Homosexuality, Horticulture, Industrial, Installation, Jean-François Krebs, Luxury, Chris MacInnes, Marble, Monster, Mundanity, Notes, Office, Painting, Barney Pau, Queer, Rural, Sheffield, Thatch, Trauma, Trompe l'oeil. Jacob George Wilson, Scott Young, Sculpture, Sound, Thames, University of London, Video, Anna Wachsmuth, Warehouse

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