︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00276
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Body
,
Carriage
,
Costume
,
Grainger Town
,
Greggs
,
Grey's Monument
,
Damian Le Bas
,
Delaine Le Bas
,
Footprints
,
Graffiti
,
Gypsy
,
High Bridge Works
,
Identity
,
Jabornegg & Pálffy
,
Will Jennings
,
Newcastle
,
Newcastle Contemporary Art
,
Ronke Osinowo
,
Paint
,
Performance
,
Roma
,
Hḗrā Santos
,
Story
,
Stitching
,
Harriet Sutcliffe
,
Traveller
,
Warehouse
,
Writing
,
Yamamoto Keiko Rochaix
00149
Jenny Saville in her studio: A 2010 Beechwood Airship Interview
Dan Richards
Jenny Saville
Frank Auerbach
,
JG Ballard,
Birth
,
Body
,
Canvas
,
Child
,
Demolition
,
Willem de Kooning
,
Richey Edwards
,
Gagosian
,
Human body
,
Huntarian Museum
,
Manic Street Preachers
,
Oxford
,
Paint
,
Painting
,
Palermo
,
Pregnancy
,
Radiohead
,
Dan Richards
,
Jenny Saville
,
Studio
,
The Beechwood Airship Interviews
,
Vincent van Gogh
,
Claire Walsh
,
Nicky Wire
00080
Ricardo Alcaide’s forecast: Overcast with spells of sunny modernism
Will Jennings
Ricardo Alcaide
,
Antwerp
,
Von Bartha
,
Lina Bo Bardi
,
Brasilia
,
Brazil
,
Diagonal
,
Geometry
,
Industrial
,
Will Jennings
,
MDF
,
Modernism
,
Oscar Niemeyer
,
Paint
,
Sao Paolo
,
Sun
,
Sunny spells
,
Venezuela
,
Carlos Raul Villanueva
,
Violence
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