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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











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On entering Jonathan Martin’s (?) Imperial Palace

Will Jennings

Absence, Arson, Bedlam, Royal Bethlehem Hospital, Drawing, Drawing Matter, God, John Martin, Jonathan Martin, Painting, Will Jennings, York



   

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