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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00170
A night-time flâneuse of the nonplace: Tales of Estrangement by Effie Paleologou

Absence, Athens, Covid, Darkness, Brian Dillon, Lauren Elkin, Flâneur, Flâneuse, Light, London, Mack Books, Night, Night-time, Effie Paleologou, Photography, Shadows, Iain Sinclair, Walking, Windows



00070
Queer Spaces: A world cruise of creative LGBTQ placemaking

AIDs, Andreas Angelidakis, Athens, Bangladesh, Biltmoderne, Bogotá, Buenos Aires, Community, Cruising, Dancing, Dhaka, Disco, Adam Nathaniel Furman, Gay, Homophobia, Homosexuality, Derek Jarman, LGBTQ, London, Joshua Mardell, Makati City, Melbourne, Mexico City, Timothy Moore, Nature, New York, RIBA, Rio de Janeiro, San Juan, Sex, Sexuality, Temporality, Tokyo, Transexual, Yannis Tsarouchis, Queer



00022
Deeper than surface: an interview with Navine G. Khan-Dossos

Navine G. Khan-Dossos
Will Jennings

Athens, Athens Bienniale, CCTV, Communication, Crossrail, Decoration, Desert, Geometry, House of Saint Barnabas, Murals, Navine Dossos, Kuwait, Landscape, Language, Nature, Orientalism, Ottoman, Painting, Palm Tree, Render, Sculpture, Walter Segal, Surveillance



   

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