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At Edinburgh’s RSA, architect Richard Murphy looks at the generational family tree of design


Will Jennings

The John Soane x Minecraft collab that allows you to explore ancient architecture

Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings










00170
A night-time flâneuse of the nonplace: Tales of Estrangement by Effie Paleologou

Absence, Athens, Covid, Darkness, Brian Dillon, Lauren Elkin, Flâneur, Flâneuse, Light, London, Mack Books, Night, Night-time, Effie Paleologou, Photography, Shadows, Iain Sinclair, Walking, Windows



00070
Queer Spaces: A world cruise of creative LGBTQ placemaking

AIDs, Andreas Angelidakis, Athens, Bangladesh, Biltmoderne, Bogotá, Buenos Aires, Community, Cruising, Dancing, Dhaka, Disco, Adam Nathaniel Furman, Gay, Homophobia, Homosexuality, Derek Jarman, LGBTQ, London, Joshua Mardell, Makati City, Melbourne, Mexico City, Timothy Moore, Nature, New York, RIBA, Rio de Janeiro, San Juan, Sex, Sexuality, Temporality, Tokyo, Transexual, Yannis Tsarouchis, Queer



00022
Deeper than surface: an interview with Navine G. Khan-Dossos

Navine G. Khan-Dossos
Will Jennings

Athens, Athens Bienniale, CCTV, Communication, Crossrail, Decoration, Desert, Geometry, House of Saint Barnabas, Murals, Navine Dossos, Kuwait, Landscape, Language, Nature, Orientalism, Ottoman, Painting, Palm Tree, Render, Sculpture, Walter Segal, Surveillance



   

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