︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00215
Life in plastic: the architecture of Barbie
Architect
,
Aqua
,
Barbie
,
Barbie Liberation Organization
,
Nancy Burson
,
Chair
,
Design Museum
,
EV Day
,
Doll
,
Dreamhouse
,
Fashion
,
Furniture
,
Frank Gehry
,
Greta Gerwig
,
Ruth Handler
,
Interior design
,
Ken
,
Mattel
,
McMansion
,
Modernism
,
Adam Nathaniel Furman
,
Emiliano Paolini
,
Marianela Perelli
,
Pink
,
Plastic
,
Play
,
Sam Jacob
,
Sam Jacob Studio
,
Philippe Starck
,
Toy
00084
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
The Arts Club
,
Betts Project
,
Wassef Boutros-Ghali
,
Le Corbusier
,
Egypt
,
Geometry
,
Graphic
,
House for Essex
,
Sam Jacob
,
Will Jennings
,
Landscape
,
Modernism
,
Neolithic
,
Painting
,
Stones
,
UN
,
UNESCO
00001
Take a look at me now, well there’s just an empty space
Sam Jacob
Absence
,
Phil Collins
,
Sam Jacob
,
Niche
,
John Soane
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