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Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman













00215
Life in plastic: the architecture of Barbie

Architect, Aqua, Barbie, Barbie Liberation Organization, Nancy Burson, Chair, Design Museum, EV Day, Doll, Dreamhouse, Fashion, Furniture,Frank Gehry, Greta Gerwig, Ruth Handler, Interior design, Ken, Mattel, McMansion, Modernism, Adam Nathaniel Furman, Emiliano Paolini, Marianela Perelli, Pink, Plastic, Play, Sam Jacob, Sam Jacob Studio, Philippe Starck, Toy



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00141
Active laziness & creative pleasure: Hélio Oiticica at the De La Warr Pavilion

Lara Chapman

Beach, Bexhill-on-Sea, Brazil, Lara Chapman, Serge Chermayeff, Cocaine, Corridor, Creleisure, Criticism, Curtain, Neville D’Almeida, De La Warr Pavilion, Drug wars, East Sussex, Hammock, Labyrinth, Laziness, Leisure, Lights, Maze, Erich Mendelsohn, News, Hélio Oiticica, Jimmi Hendrix, Orange juice, Participant, Passivity, Plastic, Pleasure, Politics, Sculpture, Structure, Sussex Modern, Work



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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