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From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson

 











00215
Life in plastic: the architecture of Barbie

Architect, Aqua, Barbie, Barbie Liberation Organization, Nancy Burson, Chair, Design Museum, EV Day, Doll, Dreamhouse, Fashion, Furniture,Frank Gehry, Greta Gerwig, Ruth Handler, Interior design, Ken, Mattel, McMansion, Modernism, Adam Nathaniel Furman, Emiliano Paolini, Marianela Perelli, Pink, Plastic, Play, Sam Jacob, Sam Jacob Studio, Philippe Starck, Toy



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00141
Active laziness & creative pleasure: Hélio Oiticica at the De La Warr Pavilion

Lara Chapman

Beach, Bexhill-on-Sea, Brazil, Lara Chapman, Serge Chermayeff, Cocaine, Corridor, Creleisure, Criticism, Curtain, Neville D’Almeida, De La Warr Pavilion, Drug wars, East Sussex, Hammock, Labyrinth, Laziness, Leisure, Lights, Maze, Erich Mendelsohn, News, Hélio Oiticica, Jimmi Hendrix, Orange juice, Participant, Passivity, Plastic, Pleasure, Politics, Sculpture, Structure, Sussex Modern, Work



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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