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Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley

Steve Taylor

The new Nederlands Fotomuseum reuses a Rotterdam warehouse & offers the city a new architectural approach

Will Jennings










00215
Life in plastic: the architecture of Barbie

Architect, Aqua, Barbie, Barbie Liberation Organization, Nancy Burson, Chair, Design Museum, EV Day, Doll, Dreamhouse, Fashion, Furniture,Frank Gehry, Greta Gerwig, Ruth Handler, Interior design, Ken, Mattel, McMansion, Modernism, Adam Nathaniel Furman, Emiliano Paolini, Marianela Perelli, Pink, Plastic, Play, Sam Jacob, Sam Jacob Studio, Philippe Starck, Toy



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00141
Active laziness & creative pleasure: Hélio Oiticica at the De La Warr Pavilion

Lara Chapman

Beach, Bexhill-on-Sea, Brazil, Lara Chapman, Serge Chermayeff, Cocaine, Corridor, Creleisure, Criticism, Curtain, Neville D’Almeida, De La Warr Pavilion, Drug wars, East Sussex, Hammock, Labyrinth, Laziness, Leisure, Lights, Maze, Erich Mendelsohn, News, Hélio Oiticica, Jimmi Hendrix, Orange juice, Participant, Passivity, Plastic, Pleasure, Politics, Sculpture, Structure, Sussex Modern, Work



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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