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An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X












00215
Life in plastic: the architecture of Barbie

Architect, Aqua, Barbie, Barbie Liberation Organization, Nancy Burson, Chair, Design Museum, EV Day, Doll, Dreamhouse, Fashion, Furniture,Frank Gehry, Greta Gerwig, Ruth Handler, Interior design, Ken, Mattel, McMansion, Modernism, Adam Nathaniel Furman, Emiliano Paolini, Marianela Perelli, Pink, Plastic, Play, Sam Jacob, Sam Jacob Studio, Philippe Starck, Toy



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00141
Active laziness & creative pleasure: Hélio Oiticica at the De La Warr Pavilion

Lara Chapman

Beach, Bexhill-on-Sea, Brazil, Lara Chapman, Serge Chermayeff, Cocaine, Corridor, Creleisure, Criticism, Curtain, Neville D’Almeida, De La Warr Pavilion, Drug wars, East Sussex, Hammock, Labyrinth, Laziness, Leisure, Lights, Maze, Erich Mendelsohn, News, Hélio Oiticica, Jimmi Hendrix, Orange juice, Participant, Passivity, Plastic, Pleasure, Politics, Sculpture, Structure, Sussex Modern, Work



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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