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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg
Will Jennings
Alvar Aalto
,
Archaeology
,
Beirut
,
Beirut Port explosion
,
Blue
,
Bridge
,
Curfew
,
Curtains
,
Deutsches Historisches Museum
,
Destruction
,
Fabric
,
Folly
,
Fortress
,
Fort Thüngen
,
Furniture
,
Glass
,
History
,
Indigo
,
Will Jennings
,
Journey
,
Lebanon
,
Louvre
,
Luxembourg
,
Memory
,
MUDAM
,
Paimio Sanatorium
,
Pavilion
,
Pitcher
,
Rayon
,
Repair
,
Six Day War
,
Stone
,
Rayyane Tabet
,
Threshold
,
Trilogy
,
IM Pei
,
Violence
,
Windows
00037
Radical rooms & hidden histories at the RIBA
Bess of Hardwick
,
Carpet
,
Costume
,
Curtains
,
Design
,
Floorplan
,
Gender
,
Hardwick Hall
,
Charles Holland
,
Hopkins House
,
Mary Hopkins
,
Michael Hopkins
,
Di Mainstone
,
Multimedia
,
Jane and Mary Parminter
,
Performance
,
Plan
,
RIBA
,
Royal Institute of British Architects
,
Robert Smythson
,
Sound
,
Video
,
Women
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