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Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art












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Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg 

Will Jennings

Alvar Aalto, Archaeology, Beirut, Beirut Port explosion, Blue, Bridge, Curfew, Curtains, Deutsches Historisches Museum, Destruction, Fabric, Folly, Fortress, Fort Thüngen, Furniture, Glass, History, Indigo, Will Jennings, Journey, Lebanon, Louvre, Luxembourg, Memory, MUDAM, Paimio Sanatorium, Pavilion, Pitcher, Rayon, Repair, Six Day War, Stone, Rayyane Tabet, Threshold, Trilogy, IM Pei, Violence, Windows



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Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



   

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