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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good











00133
London’s socio-political modernism through photography

Veronica Simpson

Architectural Review, Peter Barstow, Ian Berry, Croydon, Deptford, Norman Foster, Gareth Gardner, Gareth Gardner Gallery, Tim George, Healthcare, Housing, Immigration, Lewisham, Tim Livsey, London, Manplan, Freddie Miller, Modernism, Danilo Murru, Newcastle, Stephen Parnell, Pepys Estate, Photography, Photojournalism, Planning, Preston bus garage, James Price, Tony Ray-Jones, RIBA, Schools, Veronica Simpson, Tom Smith, Socio-political, Tim Street-Porter, Patrick Ward



00100
Jim Stephenson: architecture as stageset for a film

Architectural photography, Architectural film, Carmody Groarke, DSDHA, Faulkner Brown Architects, Feilden Fowles, Film, Grafton Architects, Grimshaw, Henley Halebrown, Images, Simon James, Jamie Fobert Architects, Mae, Marks Barfield, Niall McLaughlin Architects, People, Photography, Thomas Randall Page, RIBA, Benedetta Rogers, Sitting, Sofia Smith, Jim Stephenson, Jonathan Tuckey, Venice Architecture Biennale, William Matthews Architects



00070
Queer Spaces: A world cruise of creative LGBTQ placemaking

AIDs, Andreas Angelidakis, Athens, Bangladesh, Biltmoderne, Bogotá, Buenos Aires, Community, Cruising, Dancing, Dhaka, Disco, Adam Nathaniel Furman, Gay, Homophobia, Homosexuality, Derek Jarman, LGBTQ, London, Joshua Mardell, Makati City, Melbourne, Mexico City, Timothy Moore, Nature, New York, RIBA, Rio de Janeiro, San Juan, Sex, Sexuality, Temporality, Tokyo, Transexual, Yannis Tsarouchis, Queer



00037
Radical rooms & hidden histories at the RIBA

Bess of Hardwick, Carpet, Costume, Curtains, Design, Floorplan, Gender, Hardwick Hall, Charles Holland, Hopkins House, Mary Hopkins, Michael Hopkins, Di Mainstone, Multimedia, Jane and Mary Parminter, Performance, Plan, RIBA, Royal Institute of British Architects, Robert Smythson, Sound, Video, Women



   

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