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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg 

Will Jennings

Alvar Aalto, Archaeology, Beirut, Beirut Port explosion, Blue, Bridge, Curfew, Curtains, Deutsches Historisches Museum, Destruction, Fabric, Folly, Fortress, Fort Thüngen, Furniture, Glass, History, Indigo, Will Jennings, Journey, Lebanon, Louvre, Luxembourg, Memory, MUDAM, Paimio Sanatorium, Pavilion, Pitcher, Rayon, Repair, Six Day War, Stone, Rayyane Tabet, Threshold, Trilogy, IM Pei, Violence, Windows



00124
Edinburgh Art Festival: a creative journey through the city’s buildings

Will Jennings

Lawrence Abu Hamdan, Aqsa Arif, Crystal Bennes, Birmingham, Sean Burns, Calton Hill, Collective, Colonisation, Andrew Cranston, Czech Republic, Decolonisation, Dorothy Towers, Edinburgh, Edinburgh Art Festival, Edinburgh Sculpture Workshop, Empire, Feminism, Film, French Institute, Installation, Ireland, Markéta Luskačová, Haven for Artists, Ingleby Gallery, Will Jennings, Adam Lewis Jacob, Jesse Jones, Rudy Kanhye, Ryosuke Kiyasu, Tarek Lakhrissi, Lebanon, Richard Maguire, Painting, Photography, Platform, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Sebastian Thomas, Sculpture, Trinity Apse, Rabindranath X Bhose, Witch



   

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