︎
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke
Mark Leckey & Arthur Jafa summon ghosts into an ever-shifting shopping centre

Ellie Brown












00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg 

Will Jennings

Alvar Aalto, Archaeology, Beirut, Beirut Port explosion, Blue, Bridge, Curfew, Curtains, Deutsches Historisches Museum, Destruction, Fabric, Folly, Fortress, Fort Thüngen, Furniture, Glass, History, Indigo, Will Jennings, Journey, Lebanon, Louvre, Luxembourg, Memory, MUDAM, Paimio Sanatorium, Pavilion, Pitcher, Rayon, Repair, Six Day War, Stone, Rayyane Tabet, Threshold, Trilogy, IM Pei, Violence, Windows



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎