︎
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild
Jonathan McAloon
Aluminium
,
Art Monthly
,
Business
,
Capital
,
Cleaners
,
Cleaning
,
Coorporate
,
Elevator
,
Floor
,
Glasgow
,
Hotel
,
Kunsthaus Glarus
,
Labour
,
Jonathan McAloon
,
Office
,
Plaster
,
Polish
,
Sculpture
,
Smoothness
,
The Common Guild
,
Nicole Wermers
,
Women
,
Work
00118
Leonor Antunes: a frisson of form from the modernist archive
Lottie Whalen
Leonor Antunes
,
Archive
,
Bamboo
,
Bauhaus
,
Renu Bora
,
Cork
,
Briony Fer
,
Fruitmarket
,
Gossamer
,
Eileen Grey
,
Greta Grossman
,
Trude Guermonprez
,
Leslie Martin
,
Modernism
,
Alastair Morton
,
Marian Pepler
,
Charlotte Perriand
,
Pineapple leather
,
Rope
,
Rush
,
Sculpture
,
Eve Kosofsky Sedgwick
,
Silk
,
Sophie Taeuber-Arp
,
Sadie Speight
,
Texxture
,
Lottie Whalen
,
Women
00099
Carey Young: making space
Will Jennings
Camera
,
Capitalism
,
Commons
,
Court
,
John Dee
,
Factory
,
Film
,
Gender
,
Judge
,
Invisible
,
Will Jennings
,
Law
,
Legal
,
Lens
,
Male gaze
,
Mirror
,
Modern Art Oxford
,
Palais de Justice
,
Photography
,
Joseph Poelaert
,
Politics
,
Power
,
Reflection
,
WG Sebald
,
Sigma
,
Edward Soja
,
Space
,
Spatial
,
Text
,
Andy Warhol
,
Women
,
Carey Young
00037
Radical rooms & hidden histories at the RIBA
Bess of Hardwick
,
Carpet
,
Costume
,
Curtains
,
Design
,
Floorplan
,
Gender
,
Hardwick Hall
,
Charles Holland
,
Hopkins House
,
Mary Hopkins
,
Michael Hopkins
,
Di Mainstone
,
Multimedia
,
Jane and Mary Parminter
,
Performance
,
Plan
,
RIBA
,
Royal Institute of British Architects
,
Robert Smythson
,
Sound
,
Video
,
Women
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