︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00077
Mining memory & meaning with Elizabeth Price
Neil Scott
Carpet
,
Darkness
,
Empire
,
FELT TIP
,
Roger Fry
,
Glasgow
,
Glasgow Museum of Modern Art
,
GoMa
,
Hunterian Art Gallery
,
installation
,
KOHL
,
mines
,
Mitchell Library
,
patriarchy
,
Elizabeth Price
,
Neil Scott
,
SLOW DANS
,
sound
,
THE TEACHERS
,
tie
,
tunnels
,
video
,
Albert Walker
,
Virginia Woolf
00037
Radical rooms & hidden histories at the RIBA
Bess of Hardwick
,
Carpet
,
Costume
,
Curtains
,
Design
,
Floorplan
,
Gender
,
Hardwick Hall
,
Charles Holland
,
Hopkins House
,
Mary Hopkins
,
Michael Hopkins
,
Di Mainstone
,
Multimedia
,
Jane and Mary Parminter
,
Performance
,
Plan
,
RIBA
,
Royal Institute of British Architects
,
Robert Smythson
,
Sound
,
Video
,
Women
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