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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00208
GAMeC Bergamo are helping us think like a mountain
Will Jennings
Mercedes Azpilicueta
,
Bella Ciao
,
Bergamo
,
Biennale Gherdëina
,
Sonia Boyce
,
Bridge
,
C+S Architects
,
Dalmine
,
Film
,
Chiara Gambirasio
,
GAMeC
,
Lorenzo Giusti
,
Italy
,
Will Jennings
,
Landscape
,
Aldo Leopold
,
Lombardy
,
Mountains
,
Performance
,
Polystyrene
,
Rusio
,
Lin May Saeed
,
Sculpture
,
Studio Ossidiana
00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg
Will Jennings
Alvar Aalto
,
Archaeology
,
Beirut
,
Beirut Port explosion
,
Blue
,
Bridge
,
Curfew
,
Curtains
,
Deutsches Historisches Museum
,
Destruction
,
Fabric
,
Folly
,
Fortress
,
Fort Thüngen
,
Furniture
,
Glass
,
History
,
Indigo
,
Will Jennings
,
Journey
,
Lebanon
,
Louvre
,
Luxembourg
,
Memory
,
MUDAM
,
Paimio Sanatorium
,
Pavilion
,
Pitcher
,
Rayon
,
Repair
,
Six Day War
,
Stone
,
Rayyane Tabet
,
Threshold
,
Trilogy
,
IM Pei
,
Violence
,
Windows
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