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Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00013
Vlatka Horvat’s collaged landscapes
Vlatka Horvat
Architecture
,
Collage
,
Covid
,
Lockdown
,
London
,
Looking
,
Photography
,
Lauren Elkin
,
Vlatka Horvat
,
Interview
,
PEER Gallery
,
Georges Perec
,
Performance
,
Sculpture
,
Video
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