︎
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
00233
Venice 2024: the best of the rest
James Lee Byars
,
Italo Calvino
,
Canada
,
Wong Weng Cheong
,
Croatia
,
Czech Republic
,
Finland
,
Fondazione Querini Stampalia
,
Vlatka Horvat
,
Ireland
,
Istituto Veneto di Scienze Lettere ed Arti
,
Emilia Kabakov
,
Ilya Kabakov
,
K21–Kunstsammlung Nordrhein-Westfalen
,
Kapwani Kiwanga
,
Eva Koťátková
,
Seung-taek Lee
,
Pia Lindman
,
Macau
,
Julie Mehretu
,
Palazzo Grassi
,
Romania
,
Vidha Saumya
,
Șerban Savu
,
Jimali Singh Soin
,
David Soin Tappeser
,
Kaisa Sööt
,
Thaddaeus Ropac
,
Venice Biennale
,
Eimear Walshe
,
Michael Werner
,
Jenni-Juulia Wallinheimo-Heimonen
00013
Vlatka Horvat’s collaged landscapes
Vlatka Horvat
Architecture
,
Collage
,
Covid
,
Lockdown
,
London
,
Looking
,
Photography
,
Lauren Elkin
,
Vlatka Horvat
,
Interview
,
PEER Gallery
,
Georges Perec
,
Performance
,
Sculpture
,
Video
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
