︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00041
Weaving visibility: Andrea Mindel’s public embroidery
Jordan Whitewood-Neal
Covid
,
Dada
,
DASH
,
Disability
,
Embroidery
,
Hair
,
Tony Heaton
,
Mike Layward
,
Rick Mather Architects
,
Andrea Mindel
,
Georges Perec
,
Terry Smith
,
Towner Eastbourne
,
We are Invisible We are Visible
,
WAIWAV
,
Jordan Whitewood-Neal
,
Aaron Williamson
00013
Vlatka Horvat’s collaged landscapes
Vlatka Horvat
Architecture
,
Collage
,
Covid
,
Lockdown
,
London
,
Looking
,
Photography
,
Lauren Elkin
,
Vlatka Horvat
,
Interview
,
PEER Gallery
,
Georges Perec
,
Performance
,
Sculpture
,
Video
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