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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00067
Earth’s empty rooms: Cave diving at Nottingham Contemporary
Will Jennings
Anthropocene
,
Black
,
Sofia Borges
,
Brassaï
,
Caruso St John
,
Cave
,
Cave painting
,
Center for Land Use Interpretation
,
Dark
,
Darkness
,
Degas
,
Fire
,
Barry Flanagan
,
Fourth Plinth
,
Leo Frobenius
,
Glucksman
, Grotto,
Alberto Giacometti
,
Hayward Gallery
,
Athanasius Kircher
,
Paul Klee
,
Goshka Macuga
,
René Magritte
,
Henry Moore
,
Nottingham
,
Nottingham Contemporary
,
Elisabeth Pauli
,
Plato
,
Jackson Pollack
,
RAMM
,
Ben Rivers
,
Science fiction
,
Space
,
Subterrannia
,
Subterrannian
,
Technology
,
Threshold
,
Caragh Thuring
,
Underground
,
Vesuvius
,
Volcano
,
Mark von Schlegell
,
Jeff Wall
,
Joseph Wright of Derby
00015
Wooden memories - an interview with Olu Ogunnaike
Olu Ogunnaike
Will Jennings
Architecture
,
CAPC musée d'art contemporain de Bordeaux
,
Cell Project Space
,
David Chipperfield
,
Fourth Plinth
,
Goldsmiths Centre for Contemporary Art
,
Colonialism
,
London
,
Material
,
Memory
,
Olu Ogunnaike
,
Royal Academy
,
Royal Academy Schools
,
Sculpture
,
Trees
,
Waste
,
Wood
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