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Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley

Steve Taylor

The new Nederlands Fotomuseum reuses a Rotterdam warehouse & offers the city a new architectural approach

Will Jennings










00256
Old stories in a New Town: Danielle Dean’s portrait of Hemel Hempstead at Spike Island

Will Jennings

Amazon, Buncefield, Danielle Dean, Film, Hemel Hempstead, Installation, Will Jennings, Model, New Town, Postwar, Quatermass II, Science fiction, Spike Island



00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds

Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland



00067
Earth’s empty rooms: Cave diving at Nottingham Contemporary

Will Jennings

Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby



   

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