︎
Power & photography: picturing architecture in the 19th century
Josh Allen
Julian Opie & a virtual extension of place
Will Jennings
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Teshome Douglas-Campbell
Nyima Murry
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
00067
Earth’s empty rooms: Cave diving at Nottingham Contemporary
Will Jennings
Anthropocene
,
Black
,
Sofia Borges
,
Brassaï
,
Caruso St John
,
Cave
,
Cave painting
,
Center for Land Use Interpretation
,
Dark
,
Darkness
,
Degas
,
Fire
,
Barry Flanagan
,
Fourth Plinth
,
Leo Frobenius
,
Glucksman
, Grotto,
Alberto Giacometti
,
Hayward Gallery
,
Athanasius Kircher
,
Paul Klee
,
Goshka Macuga
,
René Magritte
,
Henry Moore
,
Nottingham
,
Nottingham Contemporary
,
Elisabeth Pauli
,
Plato
,
Jackson Pollack
,
RAMM
,
Ben Rivers
,
Science fiction
,
Space
,
Subterrannia
,
Subterrannian
,
Technology
,
Threshold
,
Caragh Thuring
,
Underground
,
Vesuvius
,
Volcano
,
Mark von Schlegell
,
Jeff Wall
,
Joseph Wright of Derby
00058
After nature: Richard Mosse’s study of Amazonian extraction
Will Jennings
180 Strand
.
Amazon
,
Extraction
,
Farming
,
Film
,
Richard Mosse
,
Fire
,
Frieze
,
Industry
,
Will Jennings
,
Jungle
,
Nature
,
Photography
,
Ranch
,
Rainforest
ABOUT
INDEX
︎
︎
Power & photography: picturing architecture in the 19th
century 
Julian Opie & a virtual extension of place
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
