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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00123
Art, architecture & wine in the Sussex landscape

Ashling Park Estate, John Akomfrah, Frank Auerbach, Pablo Bronstein, Leonora Carrington, Chichester, Salvador Dalí, Tacita Dean, Kaye Donachie, Gwen John, Idris Khan, Lothar Götz, Will Hardie, Lubaina Himid, Landscape, MJ Long, Lee Miller, Joan Miró, René Magritte, Marilyn Monroe, Annie Morris, Nature, Newlands House Gallery, Helmut Newton, Pallant House Gallery, Harold Peto, Petworth, Petworth House, Pablo Picasso, Colin St John Wilson, Sean Scully, South Downs National Park, Sussex, Sussex Modern, Tinwood Estate, Liliane Tomasko, Towner Eastbourne, Travel, Turner Prize, Vineyard, West Dean College, Wine, Wiston Estate Winery, Wright & Wright, James Wyatt



00067
Earth’s empty rooms: Cave diving at Nottingham Contemporary

Will Jennings

Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby



   

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