︎

recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025











00123
Art, architecture & wine in the Sussex landscape

Ashling Park Estate, John Akomfrah, Frank Auerbach, Pablo Bronstein, Leonora Carrington, Chichester, Salvador Dalí, Tacita Dean, Kaye Donachie, Gwen John, Idris Khan, Lothar Götz, Will Hardie, Lubaina Himid, Landscape, MJ Long, Lee Miller, Joan Miró, René Magritte, Marilyn Monroe, Annie Morris, Nature, Newlands House Gallery, Helmut Newton, Pallant House Gallery, Harold Peto, Petworth, Petworth House, Pablo Picasso, Colin St John Wilson, Sean Scully, South Downs National Park, Sussex, Sussex Modern, Tinwood Estate, Liliane Tomasko, Towner Eastbourne, Travel, Turner Prize, Vineyard, West Dean College, Wine, Wiston Estate Winery, Wright & Wright, James Wyatt



00067
Earth’s empty rooms: Cave diving at Nottingham Contemporary

Will Jennings

Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎