︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00084
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
The Arts Club
,
Betts Project
,
Wassef Boutros-Ghali
,
Le Corbusier
,
Egypt
,
Geometry
,
Graphic
,
House for Essex
,
Sam Jacob
,
Will Jennings
,
Landscape
,
Modernism
,
Neolithic
,
Painting
,
Stones
,
UN
,
UNESCO
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