︎
Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
00215
Life in plastic: the architecture of Barbie
Architect
,
Aqua
,
Barbie
,
Barbie Liberation Organization
,
Nancy Burson
,
Chair
,
Design Museum
,
EV Day
,
Doll
,
Dreamhouse
,
Fashion
,
Furniture
,
Frank Gehry
,
Greta Gerwig
,
Ruth Handler
,
Interior design
,
Ken
,
Mattel
,
McMansion
,
Modernism
,
Adam Nathaniel Furman
,
Emiliano Paolini
,
Marianela Perelli
,
Pink
,
Plastic
,
Play
,
Sam Jacob
,
Sam Jacob Studio
,
Philippe Starck
,
Toy
00202
Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants
Hadeel Eltayeb
Hadeel Eltayeb
,
Fashion
,
Fondazione Berengo
,
Glass
,
Home
,
Hospitality
,
Immigration
,
Knots
,
Labour
,
Midlands
,
Mother
,
Murano
,
Production
,
Nadja Romain
,
Amin Jaffer
,
Palazzo Franchetti
,
Venice Biennale
,
Victoria & Albert Museum
,
Osman Yousefzada
00181
The architectural explosion that was Big Biba
Will Jennings
1960s
,
1970s
,
ACC Art Books
,
Art deco
,
Biba
,
Big Biba
,
Bridgit Bardot
,
Brighton
,
British Land
,
Boutique
,
Clothes
,
Consumerism
,
Department store
,
Disney
,
Dorothy Perkins
,
Fashion
,
Fashion & Textile Museum
,
Bernard George
,
Barbara Hulanicki
,
Interior design
,
Will Jennings
,
Andrew Logan
,
Stephen Fitz-Simon
,
Kensington
,
London
,
Martin Pell
,
Dennis Potter
,
Restaurant
,
Roof terrace
,
Ken Russell
,
Steven Thomas
,
Alwyn W Turner
,
Twiggy
,
Andy Warhol
00169
Exploring the soft city of Saul Leiter
Will Jennings
6a architects
,
Archive
,
Black and white
,
City
,
East Village
,
Fashion
,
Fashion photography
,
Will Jennings
,
Saul Leiter
,
Manhattan
,
MK Gallery
,
New York
,
Anne Morin
,
Painting
,
Photography
,
Street photography
,
Urban
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INDEX
︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
