︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00291
Edinburgh Art Festival 2025: our highlights
Aqsa Arif
,
Bard
,
Collage
,
Colonialism
,
Siân Davey
,
Dovecot Studios
,
EAF
,
Edinburgh
,
Edinburgh Art Festival
,
Edinburgh Printmakers
,
Edinburgh Sculpture Workshop
,
Edinburgh University
,
Egypt
,
Fabric
,
Film
,
Fruitmarket
,
Garden
,
Louise Gibson
,
Andy Goldsworthy
,
Jonathan Glazer
,
Lewis Hetherington
,
Ingleby Gallery
,
IKEA
,
Ellis Jackson Kroese
,
Land art
,
Landscape
,
Leith
,
Lindean Mill Glass
,
Linder
,
Brandon Logan
,
CJ Mahony
,
Tiu Makkonen
,
Marionette
,
National Galleries of Scotland
,
Mike Nelson
,
Photography
,
Robert Powell
,
Royal Botanical Gardens Edinburgh
,
Sculpture
,
Wael Shawky
,
Stills
,
Sutherland Hussey Harris Architects
,
Talbot Rice
,
Trans
,
Jess White
,
Wildflowers
,
Outer Spaces
,
Queer
00084
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
The Arts Club
,
Betts Project
,
Wassef Boutros-Ghali
,
Le Corbusier
,
Egypt
,
Geometry
,
Graphic
,
House for Essex
,
Sam Jacob
,
Will Jennings
,
Landscape
,
Modernism
,
Neolithic
,
Painting
,
Stones
,
UN
,
UNESCO
TRAVEL
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