︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00133
London’s socio-political modernism through photography
Veronica Simpson
Architectural Review
,
Peter Barstow
,
Ian Berry
,
Croydon
,
Deptford
,
Norman Foster
,
Gareth Gardner
,
Gareth Gardner Gallery
,
Tim George
,
Healthcare
,
Housing
,
Immigration
,
Lewisham
,
Tim Livsey
,
London
,
Manplan
,
Freddie Miller
,
Modernism
,
Danilo Murru
,
Newcastle
,
Stephen Parnell
,
Pepys Estate
,
Photography
,
Photojournalism
,
Planning
,
Preston bus garage
,
James Price
,
Tony Ray-Jones
,
RIBA
,
Schools
,
Veronica Simpson
,
Tom Smith
,
Socio-political
,
Tim Street-Porter
,
Patrick Ward
00034
Play what you can: Assemble interpreting Lina Bo Bardi
Ruby Allison
Ruby Allison
,
Assemble
,
Collaboration
,
Laura Eldret
,
Interactive
,
Language
,
Lina Bo Bardi
,
Nottingham Contemporary
,
Play
,
Peter Rumney
,
Schools
,
Schools of Tomorrow
,
Sculpture
,
Sian W Taylor
,
Charlotte Tupper
,
Workshop
,
Writing
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Venice
Biennale 2025: part 3,
the 
