︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00276
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Body
,
Carriage
,
Costume
,
Grainger Town
,
Greggs
,
Grey's Monument
,
Damian Le Bas
,
Delaine Le Bas
,
Footprints
,
Graffiti
,
Gypsy
,
High Bridge Works
,
Identity
,
Jabornegg & Pálffy
,
Will Jennings
,
Newcastle
,
Newcastle Contemporary Art
,
Ronke Osinowo
,
Paint
,
Performance
,
Roma
,
Hḗrā Santos
,
Story
,
Stitching
,
Harriet Sutcliffe
,
Traveller
,
Warehouse
,
Writing
,
Yamamoto Keiko Rochaix
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
00133
London’s socio-political modernism through photography
Veronica Simpson
Architectural Review
,
Peter Barstow
,
Ian Berry
,
Croydon
,
Deptford
,
Norman Foster
,
Gareth Gardner
,
Gareth Gardner Gallery
,
Tim George
,
Healthcare
,
Housing
,
Immigration
,
Lewisham
,
Tim Livsey
,
London
,
Manplan
,
Freddie Miller
,
Modernism
,
Danilo Murru
,
Newcastle
,
Stephen Parnell
,
Pepys Estate
,
Photography
,
Photojournalism
,
Planning
,
Preston bus garage
,
James Price
,
Tony Ray-Jones
,
RIBA
,
Schools
,
Veronica Simpson
,
Tom Smith
,
Socio-political
,
Tim Street-Porter
,
Patrick Ward
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