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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00133
London’s socio-political modernism through photography

Veronica Simpson

Architectural Review, Peter Barstow, Ian Berry, Croydon, Deptford, Norman Foster, Gareth Gardner, Gareth Gardner Gallery, Tim George, Healthcare, Housing, Immigration, Lewisham, Tim Livsey, London, Manplan, Freddie Miller, Modernism, Danilo Murru, Newcastle, Stephen Parnell, Pepys Estate, Photography, Photojournalism, Planning, Preston bus garage, James Price, Tony Ray-Jones, RIBA, Schools, Veronica Simpson, Tom Smith, Socio-political, Tim Street-Porter, Patrick Ward



   

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