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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













00154
London of the Future: the culture of the capital in 2123

Will Jennings

Roma Agrawal, Airport, Book, Chromaphotography, Culture, Mark Brearley, Gillian Darley, Engineering, The Festival of Britain, Rob Fiehn, Future, Greenbelt, Heritage, History, Chris Hopkinson, Sarah Ichioka, Will Jennings, Indy Johar, Jude Kelly, London, Merrell, Lord Montagu of Bealieu, Motorway, Peter Murray, Adam Nathaniel Furman, Hugh Pearman, Planning, Radicalism, Neal Shasore, The South Bank, Southbank Centre, Squint Opera, The London Society



00133
London’s socio-political modernism through photography

Veronica Simpson

Architectural Review, Peter Barstow, Ian Berry, Croydon, Deptford, Norman Foster, Gareth Gardner, Gareth Gardner Gallery, Tim George, Healthcare, Housing, Immigration, Lewisham, Tim Livsey, London, Manplan, Freddie Miller, Modernism, Danilo Murru, Newcastle, Stephen Parnell, Pepys Estate, Photography, Photojournalism, Planning, Preston bus garage, James Price, Tony Ray-Jones, RIBA, Schools, Veronica Simpson, Tom Smith, Socio-political, Tim Street-Porter, Patrick Ward



   

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