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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good











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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson

British Ceramics Biennial, Kyra Cane, Capital and Centric, Fernando Casasempere, Ceramics, Noor Ali Chagani, Clay, Community, Factory, Hannah Fastrich, Tim Fluck, Susan Halls, Industry, Leah Jensen, Clio Lloyd-Jacob, Charlotte Moore, Jane Perryman, Post-industrial, Alison Rees, Regeneration, Samsoum Studio, Mella Shaw, Daniel Silver, Veronica Simpson, Spode, Stoke, Stoke-on-Trent, Jo Taylor, The Great Pottery Throw Down, Tuckey Design Studio, University of Staffordshire, Clare Wood, WoodCast Designs, World Craft City



   

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