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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00085
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre

878 AD, Anglo Saxon, Assassins Creed, Augmented reality, Computer game, Digital, Game, Hampshire Cultural Trust, History, Landscape, Ryan Lavelle, Thierry Noel, Justin Reeve, Render, Simulacra, Sugar Creative, Ubisoft, Video game, Winchester



   

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