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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
00085
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre
878 AD
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Anglo Saxon
,
Assassins Creed
,
Augmented reality
,
Computer game
,
Digital
,
Game
,
Hampshire Cultural Trust
,
History
,
Landscape
,
Ryan Lavelle
,
Thierry Noel
,
Justin Reeve
,
Render
,
Simulacra
,
Sugar Creative
,
Ubisoft
,
Video game
,
Winchester
00022
Deeper than surface: an interview with Navine G. Khan-Dossos
Navine G. Khan-Dossos
Will Jennings
Athens
,
Athens Bienniale
,
CCTV
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Communication
,
Crossrail
,
Decoration
,
Desert
,
Geometry
,
House of Saint Barnabas
,
Murals
,
Navine Dossos
,
Kuwait
,
Landscape
,
Language
,
Nature
,
Orientalism
,
Ottoman
,
Painting
,
Palm Tree
,
Render
,
Sculpture
,
Walter Segal
,
Surveillance
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Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
