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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



00057
Theaster Gates’ Black Chapel: the sacred in motion

Marwa El Mubark

David Adjaye, Adjaye Associates, Blackness, Chicago, Church, Darkness, Marwa El Mubark, Theaster Gates, Hyde Park, Inhabitation, Kiln, Philip Larkin, London, Loss, Movement, Oculus, Ritual, Sacred, Serpentine Gallery, Serpentine Pavilion, Shadow, Temple, Timber



00028
Simon Roberts’ photographs of Cuban religious architecture

Simon Roberts

Another Place Press, Cathedral, Church, Cuba, Cultuurcentrum Mechelen, Religious architecture, Photography, Simon Roberts.



   

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