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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



00057
Theaster Gates’ Black Chapel: the sacred in motion

Marwa El Mubark

David Adjaye, Adjaye Associates, Blackness, Chicago, Church, Darkness, Marwa El Mubark, Theaster Gates, Hyde Park, Inhabitation, Kiln, Philip Larkin, London, Loss, Movement, Oculus, Ritual, Sacred, Serpentine Gallery, Serpentine Pavilion, Shadow, Temple, Timber



00028
Simon Roberts’ photographs of Cuban religious architecture

Simon Roberts

Another Place Press, Cathedral, Church, Cuba, Cultuurcentrum Mechelen, Religious architecture, Photography, Simon Roberts.



   

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