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How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down













00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



00057
Theaster Gates’ Black Chapel: the sacred in motion

Marwa El Mubark

David Adjaye, Adjaye Associates, Blackness, Chicago, Church, Darkness, Marwa El Mubark, Theaster Gates, Hyde Park, Inhabitation, Kiln, Philip Larkin, London, Loss, Movement, Oculus, Ritual, Sacred, Serpentine Gallery, Serpentine Pavilion, Shadow, Temple, Timber



00028
Simon Roberts’ photographs of Cuban religious architecture

Simon Roberts

Another Place Press, Cathedral, Church, Cuba, Cultuurcentrum Mechelen, Religious architecture, Photography, Simon Roberts.



   

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