︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00288
An interview with Ronald Rael about 3d printed mud architecture at Desert X
3d printing
,
Adobe
,
California
,
Carbon
,
Coachella Valley
,
Desert X
,
Will Jennings
,
LA
,
Los Angeles
,
Mud
,
Palm Springs
,
Ronald Rael
,
Robot
,
Sci-Arc
,
Sculpture
,
Simone Swan
,
Technology
,
Tree
,
Carlo Zambon
,
Zero carbon
00211
Wakehurst: Kew Gardens’ meadow-filled outpost with art & insects
Bees
,
Tord Boontje
,
Alice Boyd
,
Donnacha Cahill
,
Colour
,
Fauna
,
Flora
,
Janine Griffiths-Lee
,
Heinrich & Palmer
,
Sid Hill
,
Horticulture
,
Insects
,
Kew Gardens
,
Landscape
,
Mansion
,
Martin Ashley Architects
,
Meadow
,
Millennium Seed Bank
,
Mud
,
National Trust
,
Nature
,
Catherine Nelson
,
Saroj Patel
,
Plants
,
Annabel Ross
,
Seeds
,
Stanton Williams
,
Wakehurst
,
Wildflower
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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︎
Venice
Biennale 2025: part 3,
the 
