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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00211
Wakehurst: Kew Gardens’ meadow-filled outpost with art & insects
Bees
,
Tord Boontje
,
Alice Boyd
,
Donnacha Cahill
,
Colour
,
Fauna
,
Flora
,
Janine Griffiths-Lee
,
Heinrich & Palmer
,
Sid Hill
,
Horticulture
,
Insects
,
Kew Gardens
,
Landscape
,
Mansion
,
Martin Ashley Architects
,
Meadow
,
Millennium Seed Bank
,
Mud
,
National Trust
,
Nature
,
Catherine Nelson
,
Saroj Patel
,
Plants
,
Annabel Ross
,
Seeds
,
Stanton Williams
,
Wakehurst
,
Wildflower
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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