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Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era










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An interview with Ronald Rael about 3d printed mud architecture at Desert X

3d printing, Adobe, California, Carbon, Coachella Valley, Desert X, Will Jennings, LA, Los Angeles, Mud, Palm Springs, Ronald Rael, Robot, Sci-Arc, Sculpture, Simone Swan, Technology, Tree, Carlo Zambon, Zero carbon



00211
Wakehurst: Kew Gardens’ meadow-filled outpost with art & insects

Bees, Tord Boontje, Alice Boyd, Donnacha Cahill, Colour, Fauna, Flora, Janine Griffiths-Lee, Heinrich & Palmer, Sid Hill, Horticulture, Insects,  Kew Gardens, Landscape, Mansion, Martin Ashley Architects, Meadow, Millennium Seed Bank, Mud, National Trust, Nature, Catherine Nelson, Saroj Patel, Plants, Annabel Ross, Seeds, Stanton Williams, Wakehurst, Wildflower



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



   

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