︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00144
Panorama L’Aquila: rebuilding a city with culture & gastronomy
Will Jennings
Carlo Zambon
Abruzzo
,
Darren Bader
,
Basilica
,
Jacopo Benassi
,
Castle
,
Radha D'Souza
,
Gagosian
,
Galleria Continua
,
Gastronomy
,
Shilpa Gupta
,
Earthquake
,
Alberto di Fabio
,
Festival
,
Fountain
,
Lorenzo Fiaschi
,
Paolo Icaro
,
ITALICS
,
Italy
,
Will Jennings
,
Landscape
,
L'Aquila
,
Armin Linke
,
Marcello Mariani
,
Pepi Marchetti Franchi
,
MAXXI
,
MAXXI L'Aquila
,
Marisa Merz
,
Pascale Marthine Tayou
,
Mountains
,
Maurizio Nannucci
,
Network
,
Panorama
,
Cristiana Perrella
,
Rever Restaurant
,
Scaffolding
,
Jonas Staal
,
Travel
,
William Zonfra
,
Carlo Zambon
,
William Zonfra Il Restorante
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
00106
The poetry of everything: Massimo Bartolini’s musical scaffolding
Robert Barry
Alga Marghan
,
Robert Barry
,
Massimo Bartolini
,
Gavin Bryars
,
John Cage
,
Centro per l'Arte Contemporanea Luigi Pecci
,
Composition
,
Installation
,
Matteo da Prato
,
Massimo Drovandi
,
Samuele Frangioni
,
Fondazione Merz
,
Samuele Maffucci
,
Massimo di Carlo
,
Yari Mazza
,
Music
,
Music box
,
Áine O'Dwyer
,
Organ
,
Pipes
,
Scaffolding
,
Sculpture
,
Sound art,
Wind
,
Wind instrument
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Venice
Biennale 2025: part 3,
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