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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00144
Panorama L’Aquila: rebuilding a city with culture & gastronomy

Will Jennings
Carlo Zambon

Abruzzo, Darren Bader, Basilica, Jacopo Benassi, Castle, Radha D'Souza, Gagosian, Galleria Continua, Gastronomy, Shilpa Gupta,Earthquake, Alberto di Fabio, Festival, Fountain, Lorenzo Fiaschi, Paolo Icaro, ITALICS, Italy, Will Jennings, Landscape, L'Aquila, Armin Linke, Marcello Mariani, Pepi Marchetti Franchi, MAXXI, MAXXI L'Aquila, Marisa Merz, Pascale Marthine Tayou, Mountains,Maurizio Nannucci, Network, Panorama, Cristiana Perrella, Rever Restaurant,Scaffolding, Jonas Staal, Travel, William Zonfra, Carlo Zambon, William Zonfra Il Restorante



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



00106
The poetry of everything: Massimo Bartolini’s musical scaffolding

Robert Barry

Alga Marghan, Robert Barry, Massimo Bartolini, Gavin Bryars, John Cage, Centro per l'Arte Contemporanea Luigi Pecci, Composition, Installation, Matteo da Prato, Massimo Drovandi, Samuele Frangioni, Fondazione Merz, Samuele Maffucci, Massimo di Carlo, Yari Mazza, Music, Music box, Áine O'Dwyer, Organ, Pipes, Scaffolding, Sculpture, Sound art, Wind, Wind instrument



   

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