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At Edinburgh’s RSA, architect Richard Murphy looks at the generational family tree of design


Will Jennings

The John Soane x Minecraft collab that allows you to explore ancient architecture

Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings










00144
Panorama L’Aquila: rebuilding a city with culture & gastronomy

Will Jennings
Carlo Zambon

Abruzzo, Darren Bader, Basilica, Jacopo Benassi, Castle, Radha D'Souza, Gagosian, Galleria Continua, Gastronomy, Shilpa Gupta,Earthquake, Alberto di Fabio, Festival, Fountain, Lorenzo Fiaschi, Paolo Icaro, ITALICS, Italy, Will Jennings, Landscape, L'Aquila, Armin Linke, Marcello Mariani, Pepi Marchetti Franchi, MAXXI, MAXXI L'Aquila, Marisa Merz, Pascale Marthine Tayou, Mountains,Maurizio Nannucci, Network, Panorama, Cristiana Perrella, Rever Restaurant,Scaffolding, Jonas Staal, Travel, William Zonfra, Carlo Zambon, William Zonfra Il Restorante



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



00106
The poetry of everything: Massimo Bartolini’s musical scaffolding

Robert Barry

Alga Marghan, Robert Barry, Massimo Bartolini, Gavin Bryars, John Cage, Centro per l'Arte Contemporanea Luigi Pecci, Composition, Installation, Matteo da Prato, Massimo Drovandi, Samuele Frangioni, Fondazione Merz, Samuele Maffucci, Massimo di Carlo, Yari Mazza, Music, Music box, Áine O'Dwyer, Organ, Pipes, Scaffolding, Sculpture, Sound art, Wind, Wind instrument



   

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