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An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian
Will Jennings
A Deeper Recess
,
Leonor Antunes
,
CAM
,
Centre de Arte Moderna Gulbenkian
,
Ceramics
,
Vladimir Djurovic
,
Engawa
,
Garden
,
Gulbenkian
,
Interview
,
Japan
,
Will Jennings
,
Kengo Kuma
,
Landscape
,
Landscape architecture
,
Light
,
Lisbon
,
Leslie Martin
,
Museum
,
Portugal
,
White
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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