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Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz
Swinging in the gallery: art meets golf at Battersea Arts Centre
An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art
Will Jennings
Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c
Will Jennings
Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery
Isabel de Vasconcellos
00311
Cerith Wyn Evans’ glows in MAAT, Lisbon
Will Jennings
AL_A
,
Belém
,
Electricity
,
Energy
,
Cerith Wyn Evans
,
Will Jennings
,
Amanda Levete
,
Light
,
Lisbon
,
MAAT
,
MAAT – Museum of Art, Architecture and Technology
,
Neon
,
Frank Stella
,
Tate Britain
,
David Tudor
00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian
Will Jennings
A Deeper Recess
,
Leonor Antunes
,
CAM
,
Centre de Arte Moderna Gulbenkian
,
Ceramics
,
Vladimir Djurovic
,
Engawa
,
Garden
,
Gulbenkian
,
Interview
,
Japan
,
Will Jennings
,
Kengo Kuma
,
Landscape
,
Landscape architecture
,
Light
,
Lisbon
,
Leslie Martin
,
Museum
,
Portugal
,
White
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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