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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

 











00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory

Cindy Huang

The Barbican Centre, The Barbican Conservatory, Foliage, Greenhouse, Cindy Huang, Jungle, Leaves, Monstera,Muslin, Post-colonial, Science, Sculpture, Senses, Trees, Ranjani Shettar



00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage

Jelena Sofronijevic

Abstract, Anatomy, Arab British Centre, Arabic, Emilie Barrington, BDP, Walter Crane, Domestic, Drawing, Empire Lines, Evelyn De Morgan, William De Morgan, Fabric, Shahrzad Ghaffari, Geography, Gold, Nour Hage, Painting, Post colonial, Sarah Hardy, Frederick Leighton, Leighton House, Liberty, Morris & Co, Mural, Museum, Museum of the Year, Jelena Sofronijevic, Textile



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



   

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