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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory

Cindy Huang

The Barbican Centre, The Barbican Conservatory, Foliage, Greenhouse, Cindy Huang, Jungle, Leaves, Monstera,Muslin, Post-colonial, Science, Sculpture, Senses, Trees, Ranjani Shettar



00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage

Jelena Sofronijevic

Abstract, Anatomy, Arab British Centre, Arabic, Emilie Barrington, BDP, Walter Crane, Domestic, Drawing, Empire Lines, Evelyn De Morgan, William De Morgan, Fabric, Shahrzad Ghaffari, Geography, Gold, Nour Hage, Painting, Post colonial, Sarah Hardy, Frederick Leighton, Leighton House, Liberty, Morris & Co, Mural, Museum, Museum of the Year, Jelena Sofronijevic, Textile



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



   

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