︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory
Cindy Huang
The Barbican Centre
,
The Barbican Conservatory
,
Foliage
,
Greenhouse
,
Cindy Huang
,
Jungle
,
Leaves
,
Monstera
,
Muslin
,
Post-colonial
,
Science
,
Sculpture
,
Senses
,
Trees
,
Ranjani Shettar
00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage
Jelena Sofronijevic
Abstract
,
Anatomy
,
Arab British Centre
,
Arabic
,
Emilie Barrington
,
BDP
,
Walter Crane
,
Domestic
,
Drawing
,
Empire Lines
,
Evelyn De Morgan
,
William De Morgan
,
Fabric
,
Shahrzad Ghaffari
,
Geography
,
Gold
,
Nour Hage
,
Painting
,
Post colonial
,
Sarah Hardy
,
Frederick Leighton
,
Leighton House
,
Liberty
,
Morris & Co
,
Mural
,
Museum
,
Museum of the Year
,
Jelena Sofronijevic
,
Textile
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
TRAVEL
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
