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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory

Cindy Huang

The Barbican Centre, The Barbican Conservatory, Foliage, Greenhouse, Cindy Huang, Jungle, Leaves, Monstera,Muslin, Post-colonial, Science, Sculpture, Senses, Trees, Ranjani Shettar



00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage

Jelena Sofronijevic

Abstract, Anatomy, Arab British Centre, Arabic, Emilie Barrington, BDP, Walter Crane, Domestic, Drawing, Empire Lines, Evelyn De Morgan, William De Morgan, Fabric, Shahrzad Ghaffari, Geography, Gold, Nour Hage, Painting, Post colonial, Sarah Hardy, Frederick Leighton, Leighton House, Liberty, Morris & Co, Mural, Museum, Museum of the Year, Jelena Sofronijevic, Textile



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



   

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