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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
00079
Grave Rubber: An Interview with Scott Covert
Robert Barry
AIDs
,
Florence Ballard
,
Robert Barry
,
Scott Covert
,
Jackie Curtis
,
Death
,
Detroit Memorial Park Cemetery
,
Max Ernst
,
Frottage
,
Grave
,
Graveyard
,
Headstone
,
Life
,
Rubbing
,
Nancy Spungen
,
Michelle Stuart
,
Studio Voltaire
,
The Supremes
,
Tombstone
,
Rudolph Valentino
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