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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
00079
Grave Rubber: An Interview with Scott Covert
Robert Barry
AIDs
,
Florence Ballard
,
Robert Barry
,
Scott Covert
,
Jackie Curtis
,
Death
,
Detroit Memorial Park Cemetery
,
Max Ernst
,
Frottage
,
Grave
,
Graveyard
,
Headstone
,
Life
,
Rubbing
,
Nancy Spungen
,
Michelle Stuart
,
Studio Voltaire
,
The Supremes
,
Tombstone
,
Rudolph Valentino
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