︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art
Will Jennings
Laura Aldridge
,
Amethyst
,
Phyllida Barlow
,
Bonnington House
,
Pablo Bronstein
,
Henry Castle
,
Cemetery
,
Ceramics
,
Nathan Coley
,
Edinburgh
,
Edinburgh Art Festival
,
Folly
,
Forest
,
Fountain
,
Anya Gallaccio
,
Andy Goldsworthy
,
Antony Gormley
,
Gothic
,
Graveyard
,
Grotto
,
Ian Hamilton Finlay
,
Jacobean
,
Charles Jencks
,
Will Jennings
,
Jupiter
,
Jupiter Artland
,
Anish Kapoor
,
Landscape
,
Peter Liversidge
,
Rachel Maclean
,
Modern Institute
,
Painting
,
Cornelia Parker
,
Rock
,
Andrew Sims
,
Stone
,
Temple
,
Trees
,
Marc Quinn
,
Joana Vasconcelos
,
Water
,
Nicky Wilson
,
Robert Wilson
,
Woods
00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory
Cindy Huang
The Barbican Centre
,
The Barbican Conservatory
,
Foliage
,
Greenhouse
,
Cindy Huang
,
Jungle
,
Leaves
,
Monstera
,
Muslin
,
Post-colonial
,
Science
,
Sculpture
,
Senses
,
Trees
,
Ranjani Shettar
00015
Wooden memories - an interview with Olu Ogunnaike
Olu Ogunnaike
Will Jennings
Architecture
,
CAPC musée d'art contemporain de Bordeaux
,
Cell Project Space
,
David Chipperfield
,
Fourth Plinth
,
Goldsmiths Centre for Contemporary Art
,
Colonialism
,
London
,
Material
,
Memory
,
Olu Ogunnaike
,
Royal Academy
,
Royal Academy Schools
,
Sculpture
,
Trees
,
Waste
,
Wood
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Venice
Biennale 2025: part 3,
the 
