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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory

Cindy Huang

The Barbican Centre, The Barbican Conservatory, Foliage, Greenhouse, Cindy Huang, Jungle, Leaves, Monstera,Muslin, Post-colonial, Science, Sculpture, Senses, Trees, Ranjani Shettar



00015
Wooden memories - an interview with Olu Ogunnaike

Olu Ogunnaike
Will Jennings

Architecture, CAPC musée d'art contemporain de Bordeaux, Cell Project Space, David Chipperfield, Fourth Plinth, Goldsmiths Centre for Contemporary Art, Colonialism, London, Material, Memory, Olu Ogunnaike, Royal Academy, Royal Academy Schools, Sculpture, Trees, Waste, Wood



   

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