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A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke












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Edinburgh Art Festival 2025: our highlights

Aqsa Arif, Bard, Collage, Colonialism, Siân Davey, Dovecot Studios, EAF, Edinburgh, Edinburgh Art Festival, Edinburgh Printmakers, Edinburgh Sculpture Workshop, Edinburgh University, Egypt, Fabric, Film, Fruitmarket, Garden, Louise Gibson, Andy Goldsworthy, Jonathan Glazer, Lewis Hetherington, Ingleby Gallery, IKEA, Ellis Jackson Kroese, Land art, Landscape, Leith, Lindean Mill Glass, Linder, Brandon Logan, CJ Mahony, Tiu Makkonen, Marionette, National Galleries of Scotland, Mike Nelson, Photography, Robert Powell, Royal Botanical Gardens Edinburgh, Sculpture, Wael Shawky, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Trans, Jess White, Wildflowers, Outer Spaces, Queer



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At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire

Will Jennings

William Chambers, Colonialism, Desert X, Empire, Fabric, Graham Foundation, Great Salt Hedge, Hedge, Hylozoic/Desires, India, India Art Fair, India Office, Infrastructure, Inland Customs Line, Will Jennings, Cliff Lauson, Research, Salt, Salt Office, Salton Sea, Kinnari Saraiya, Sculpture, Sharjah Biennial, Himali Singh Soin, David Soin Tappeser, Somerset House, Sound, Staircase, Tate Britain, Termite, Wardian case



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Histories collide with Todd Gray’s photographic portals

Baroque, Body, Colonialism, Fontainebleau, Ghana, History, Todd Gray, Michael Jackson, Layering, Lehmann Maupin, Music, Nature, Nude, Photography, Race, Allan Sekula,Silhouette, Slavery



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Wooden memories - an interview with Olu Ogunnaike

Olu Ogunnaike
Will Jennings

Architecture, CAPC musée d'art contemporain de Bordeaux, Cell Project Space, David Chipperfield, Fourth Plinth, Goldsmiths Centre for Contemporary Art, Colonialism, London, Material, Memory, Olu Ogunnaike, Royal Academy, Royal Academy Schools, Sculpture, Trees, Waste, Wood



   

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