︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00291
Edinburgh Art Festival 2025: our highlights
Aqsa Arif
,
Bard
,
Collage
,
Colonialism
,
Siân Davey
,
Dovecot Studios
,
EAF
,
Edinburgh
,
Edinburgh Art Festival
,
Edinburgh Printmakers
,
Edinburgh Sculpture Workshop
,
Edinburgh University
,
Egypt
,
Fabric
,
Film
,
Fruitmarket
,
Garden
,
Louise Gibson
,
Andy Goldsworthy
,
Jonathan Glazer
,
Lewis Hetherington
,
Ingleby Gallery
,
IKEA
,
Ellis Jackson Kroese
,
Land art
,
Landscape
,
Leith
,
Lindean Mill Glass
,
Linder
,
Brandon Logan
,
CJ Mahony
,
Tiu Makkonen
,
Marionette
,
National Galleries of Scotland
,
Mike Nelson
,
Photography
,
Robert Powell
,
Royal Botanical Gardens Edinburgh
,
Sculpture
,
Wael Shawky
,
Stills
,
Sutherland Hussey Harris Architects
,
Talbot Rice
,
Trans
,
Jess White
,
Wildflowers
,
Outer Spaces
,
Queer
00253
At Somerset House a sculptural barrier by artists Hylozoic/Desires opens up rich research into salt, land & empire
Will Jennings
William Chambers
,
Colonialism
,
Desert X
,
Empire
,
Fabric
,
Graham Foundation
,
Great Salt Hedge
,
Hedge
,
Hylozoic/Desires
,
India
,
India Art Fair
,
India Office
,
Infrastructure
,
Inland Customs Line
,
Will Jennings
,
Cliff Lauson
,
Research
,
Salt
,
Salt Office
,
Salton Sea
,
Kinnari Saraiya
,
Sculpture
,
Sharjah Biennial
,
Himali Singh Soin
,
David Soin Tappeser
,
Somerset House
,
Sound
,
Staircase
,
Tate Britain
,
Termite
,
Wardian case
00090
Histories collide with Todd Gray’s photographic portals
Baroque
,
Body
,
Colonialism
,
Fontainebleau
,
Ghana
,
History
,
Todd Gray
,
Michael Jackso
n,
Layering
,
Lehmann Maupin
,
Music
,
Nature
,
Nude
,
Photography
,
Race
,
Allan Sekula
,
Silhouette
,
Slavery
00015
Wooden memories - an interview with Olu Ogunnaike
Olu Ogunnaike
Will Jennings
Architecture
,
CAPC musée d'art contemporain de Bordeaux
,
Cell Project Space
,
David Chipperfield
,
Fourth Plinth
,
Goldsmiths Centre for Contemporary Art
,
Colonialism
,
London
,
Material
,
Memory
,
Olu Ogunnaike
,
Royal Academy
,
Royal Academy Schools
,
Sculpture
,
Trees
,
Waste
,
Wood
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Venice
Biennale 2025: part 3,
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