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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh
Jonathan McAloon
Art Nouveau
,
Baltic Centre for Contemporary Art
,
Martin Boyce
,
John Donne
,
Esther Schipper
,
Fire
,
Fruitmarket
,
Ghosts
,
Glasgow
,
Glasgow School of Art
,
Installation
,
Leaves
,
Charles Rennie Mackintosh
,
Jan and Joël Martel
,
Jonathan McAloon
,
Partition
,
Photography
,
Sculpture
,
Spook School
,
Turner Prize
,
Ventilation
00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild
Jonathan McAloon
Aluminium
,
Art Monthly
,
Business
,
Capital
,
Cleaners
,
Cleaning
,
Coorporate
,
Elevator
,
Floor
,
Glasgow
,
Hotel
,
Kunsthaus Glarus
,
Labour
,
Jonathan McAloon
,
Office
,
Plaster
,
Polish
,
Sculpture
,
Smoothness
,
The Common Guild
,
Nicole Wermers
,
Women
,
Work
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