︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh
Jonathan McAloon
Art Nouveau
,
Baltic Centre for Contemporary Art
,
Martin Boyce
,
John Donne
,
Esther Schipper
,
Fire
,
Fruitmarket
,
Ghosts
,
Glasgow
,
Glasgow School of Art
,
Installation
,
Leaves
,
Charles Rennie Mackintosh
,
Jan and Joël Martel
,
Jonathan McAloon
,
Partition
,
Photography
,
Sculpture
,
Spook School
,
Turner Prize
,
Ventilation
00184
Nicole Wermers’ Day Care: disrupting smoothness at The Common Guild
Jonathan McAloon
Aluminium
,
Art Monthly
,
Business
,
Capital
,
Cleaners
,
Cleaning
,
Coorporate
,
Elevator
,
Floor
,
Glasgow
,
Hotel
,
Kunsthaus Glarus
,
Labour
,
Jonathan McAloon
,
Office
,
Plaster
,
Polish
,
Sculpture
,
Smoothness
,
The Common Guild
,
Nicole Wermers
,
Women
,
Work
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