︎
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00239
Books: Phyllida Barlow’s life in sculpture remembered
Book
,
Fiona Bradley
,
Chelsea School of Art
,
Construction
,
Destruction
,
Frances Morris
,
Fruitmarket
,
Fruitmarket Publishers
,
Hauser & Wirth
,
Hauser & Wirth Publishers
,
Place
,
Scale
,
Sculpture
,
Site
,
Slade School of Fine Art
00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh
Jonathan McAloon
Art Nouveau
,
Baltic Centre for Contemporary Art
,
Martin Boyce
,
John Donne
,
Esther Schipper
,
Fire
,
Fruitmarket
,
Ghosts
,
Glasgow
,
Glasgow School of Art
,
Installation
,
Leaves
,
Charles Rennie Mackintosh
,
Jan and Joël Martel
,
Jonathan McAloon
,
Partition
,
Photography
,
Sculpture
,
Spook School
,
Turner Prize
,
Ventilation
00118
Leonor Antunes: a frisson of form from the modernist archive
Lottie Whalen
Leonor Antunes
,
Archive
,
Bamboo
,
Bauhaus
,
Renu Bora
,
Cork
,
Briony Fer
,
Fruitmarket
,
Gossamer
,
Eileen Grey
,
Greta Grossman
,
Trude Guermonprez
,
Leslie Martin
,
Modernism
,
Alastair Morton
,
Marian Pepler
,
Charlotte Perriand
,
Pineapple leather
,
Rope
,
Rush
,
Sculpture
,
Eve Kosofsky Sedgwick
,
Silk
,
Sophie Taeuber-Arp
,
Sadie Speight
,
Texxture
,
Lottie Whalen
,
Women
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