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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













00239
Books: Phyllida Barlow’s life in sculpture remembered

Book, Fiona Bradley, Chelsea School of Art, Construction, Destruction, Frances Morris, Fruitmarket, Fruitmarket Publishers, Hauser & Wirth, Hauser & Wirth Publishers, Place, Scale, Sculpture, Site, Slade School of Fine Art



00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh

Jonathan McAloon

Art Nouveau, Baltic Centre for Contemporary Art, Martin Boyce, John Donne, Esther Schipper, Fire, Fruitmarket, Ghosts, Glasgow, Glasgow School of Art, Installation, Leaves, Charles Rennie Mackintosh, Jan and Joël Martel, Jonathan McAloon, Partition, Photography, Sculpture, Spook School, Turner Prize, Ventilation



00118
Leonor Antunes: a frisson of form from the modernist archive

Lottie Whalen

Leonor Antunes, Archive, Bamboo, Bauhaus, Renu Bora, Cork, Briony Fer, Fruitmarket, Gossamer, Eileen Grey, Greta Grossman, Trude Guermonprez, Leslie Martin, Modernism, Alastair Morton, Marian Pepler, Charlotte Perriand, Pineapple leather, Rope, Rush, Sculpture, Eve Kosofsky Sedgwick, Silk, Sophie Taeuber-Arp, Sadie Speight, Texxture, Lottie Whalen, Women



   

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