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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00239
Books: Phyllida Barlow’s life in sculpture remembered

Book, Fiona Bradley, Chelsea School of Art, Construction, Destruction, Frances Morris, Fruitmarket, Fruitmarket Publishers, Hauser & Wirth, Hauser & Wirth Publishers, Place, Scale, Sculpture, Site, Slade School of Fine Art



00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh

Jonathan McAloon

Art Nouveau, Baltic Centre for Contemporary Art, Martin Boyce, John Donne, Esther Schipper, Fire, Fruitmarket, Ghosts, Glasgow, Glasgow School of Art, Installation, Leaves, Charles Rennie Mackintosh, Jan and Joël Martel, Jonathan McAloon, Partition, Photography, Sculpture, Spook School, Turner Prize, Ventilation



00118
Leonor Antunes: a frisson of form from the modernist archive

Lottie Whalen

Leonor Antunes, Archive, Bamboo, Bauhaus, Renu Bora, Cork, Briony Fer, Fruitmarket, Gossamer, Eileen Grey, Greta Grossman, Trude Guermonprez, Leslie Martin, Modernism, Alastair Morton, Marian Pepler, Charlotte Perriand, Pineapple leather, Rope, Rush, Sculpture, Eve Kosofsky Sedgwick, Silk, Sophie Taeuber-Arp, Sadie Speight, Texxture, Lottie Whalen, Women



   

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