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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00195
A spooky Martin Boyce retrospective at Fruitmarket & a spectre of Rennie Mackintosh

Jonathan McAloon

Art Nouveau, Baltic Centre for Contemporary Art, Martin Boyce, John Donne, Esther Schipper, Fire, Fruitmarket, Ghosts, Glasgow, Glasgow School of Art, Installation, Leaves, Charles Rennie Mackintosh, Jan and Joël Martel, Jonathan McAloon, Partition, Photography, Sculpture, Spook School, Turner Prize, Ventilation



   

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