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Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











00202
Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants

Hadeel Eltayeb

Hadeel Eltayeb, Fashion, Fondazione Berengo, Glass, Home, Hospitality, Immigration, Knots, Labour, Midlands, Mother, Murano, Production, Nadja Romain, Amin Jaffer, Palazzo Franchetti, Venice Biennale, Victoria & Albert Museum, Osman Yousefzada



   

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