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A celebration of post-war utopian architecture for the people in a new book from photographer Robert Clayton
You’re all invited to Jeremy Deller’s public party
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
00217
Venice 2024: a visual essay of Biennale & city
Carlo Zambon
Art Not Genocide Alliance
,
Balenciaga
,
Buccellati
,
Gabriel Bella
,
Huma Bhabha
,
Bottega Veneta
,
Canale della Giudecca
,
Julien Creuzet
,
Brunello Cucinelli
,
Aleksandar Denić
,
Willem de Kooning
,
Guerreiro do Divino Amor
,
Fondazione In Between Art Film
,
Fondazione Querini Stampalia
,
Jeffrey Gibson
,
Glass
,
Pierre Huyghe
,
Robert Indiana
,
Isora x Lozuraityte Studio
,
Roman Khimei
,
LAS Art Foundation
,
Anna Maria Maiolino
,
Yarema Malashchuk
,
Diego Marcon
,
Marni
,
Archie Moore
,
Josèfa Ntjam
,
Pakui Hardware
,
Palestine
,
Photo essay
,
Photography
,
Pinchuk Art Centre
,
Punta della Dogana
,
Ione Saldanha
,
Mark Salvatus
,
Carlo Scarpa
,
Raf Simmons
,
Ukraine
,
UNA/UNLESS
,
Venice
,
Venice Biennale
,
Window
,
Carlo Zambon
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