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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds

Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland



00217
Venice 2024: a visual essay of Biennale & city

Carlo Zambon

Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon



   

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