︎
An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c

Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos

The Grand in Folkestone: ambitious plans for a Barbican-by-the-Sea










00305
Venice Biennale 2025: part 3, the ugly

Thomas Heatherwick, Heatherwick Studio, Humanise, Karrie Jacobs, Michal Murawski, Politics, Russia, Ukraine, Venice, Venice Biennale



00217
Venice 2024: a visual essay of Biennale & city

Carlo Zambon

Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon



00097
Eurovision architecture: a conversation with stage designer Julio Himede

Julio Himede

Eurovision, Julio Himede, Immersive, Lights, Liverpool, Music, Performance, Rhino, Set design, Stage, Television, TV, Ukraine, Video, Yellow Studio



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎