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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00217
Venice 2024: a visual essay of Biennale & city

Carlo Zambon

Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon



00097
Eurovision architecture: a conversation with stage designer Julio Himede

Julio Himede

Eurovision, Julio Himede, Immersive, Lights, Liverpool, Music, Performance, Rhino, Set design, Stage, Television, TV, Ukraine, Video, Yellow Studio



   

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