︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
Battersea
,
Brick
,
Community
,
Development
,
Drawing
,
Factory
,
Fragments
,
Gentrification
,
Hypha Studios
,
Landscape
,
Lower Silesia
,
Metalpoint
,
Mudlarking
,
Nine Elms
,
Kinga Oktabska
,
Pebbles
,
Pipes
,
Poland
,
Porcelain
,
Property
,
River
,
River Thames
,
Rubble
,
Silk
,
Stories
,
Studio
,
Thames
,
Tide
,
Pawel Tomaszewski
,
Waste
00031
Domestic anxiety: Tomaso De Luca‘s property traps
Cartoon
,
Pauline Curnier Jardin
,
Droog
,
Installation
,
Tomaso De Luca
,
Francesco Urbano Ragazzi
,
Gentrification
,
LIAF
,
Lofoten International Art Festival
,
Politics
,
Property
,
Sculpture
,
Trap
,
Venice Biennale
,
Video
,
Violence
TRAVEL
ABOUT
NEWSLETTER
INDEX
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