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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
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Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00129
From Kinga Oktabska’s studio: fragmented landscapes & found histories

Kinga Oktabska 

Battersea, Brick, Community, Development, Drawing, Factory, Fragments, Gentrification, Hypha Studios, Landscape, Lower Silesia, Metalpoint, Mudlarking, Nine Elms, Kinga Oktabska, Pebbles, Pipes, Poland, Porcelain, Property, River, River Thames, Rubble, Silk, Stories, Studio, Thames, Tide, Pawel Tomaszewski, Waste



00116
Sculpting the urban guts: an interview with Holly Hendry

Joseph Bazalgette, Brexit, Cartoon, Comic, Covid, De La Warr Pavilion, Earth, Engineering, Fear, Flow, Goldsmiths CCA, Holly Hendry, Horror, London, Pipes, Sewerage, Sewer, Temple, The CoLAB, Thames Tideway Tunnel, The Artists Garden, theCoLAB, Underground, Ventilation, Who Framed Roger Rabit, Wave, Weave, Worms



00106
The poetry of everything: Massimo Bartolini’s musical scaffolding

Robert Barry

Alga Marghan, Robert Barry, Massimo Bartolini, Gavin Bryars, John Cage, Centro per l'Arte Contemporanea Luigi Pecci, Composition, Installation, Matteo da Prato, Massimo Drovandi, Samuele Frangioni, Fondazione Merz, Samuele Maffucci, Massimo di Carlo, Yari Mazza, Music, Music box, Áine O'Dwyer, Organ, Pipes, Scaffolding, Sculpture, Sound art, Wind, Wind instrument



   

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